What’s this space?

This website is my ship of Theseus, a playground to organize my work and philosophy, grow as a communicator and hopefully inspire others to do the same.

For music, video and social media accounts, find links at the bottom of this page, in the footer.

My CV can be found here.


Now

Besides crafting this ship, I research Enhancing Audio Description at the University of York and draft funding applications to help continue my work with biofeedback to support meditation practices. The current vision for the latter will be published soon in p-e-r-f-o-r-m-a-n-c-e. After three years of teaching the Navigating the Digital World module at the University of Essex, I am now a visiting fellow there. In November 2025 I started working as the parent governor at my son’s junior school with responsibilities linked to special education needs and sustainability.

Updated: 2025-12-18


Posts

  • Expected more from 'A Little History of Poetry' by John Carey

    After reaching out to my friend, who used to write English poetry, I received two books in the post from him. One was Carey's book, which we hoped would give me a crash course on poetry. In short, I liked it but also expected more; a broader overview and more insights on how and why schools or movements of poetry changed. Still, I learnt a lot. Find out more.
  • Slow Dance

    One of my first Hungarian poems translated into English. Find out more.
  • Secret Place

    Probably my first Hungarian poem translated into English around 2013. Find out more.
  • Metafiction and Beyond: 'Galilee' by Clive Barker

    I found Barker's Weaveworld by chance around 20 years ago and loved it. This year, I read another of his works, Galilee, which had less fantasy and perhaps more romance. This review contains spoilers, so it's mainly for people who have read the book and want to compare notes. Find out more.
  • Conveying Cinematography Through Sound

    This is a quick update on the work I have been doing as part of my research within the EAD team, where my focus has been on how to use sound to convey cinematographic elements. Find out more.
  • BARN Interview: My Journey into Biofeedback Art

    Since last November, Anastasia Chernysheva (UCLA) and I have been co-creating the Biofeedback Art Research Network (BARN). We want to build a global network of people who study the connections between biofeedback and art. To get to know each other, I thought it would be best to interview people in writing. To demonstrate a potential narrative, I started with myself. Find out more.
  • 20th Anniversary of Painting Sex, Drugs and Trance & Roll

    On the 20th anniversary of my painting exhibition, I invite you on a nostalgic journey through my first solo show in Hungary — a collection of abstract paintings and drawings. Read about their stories back then and what they mean (to me) today. Find out more.
  • Falling to the Other Side of the Donkey with Goggins and Watts

    Now I remember. Sometimes we need to outsource the decision making to... what was that again?! Find out more.
  • 13 Years of Practicing and Teaching Creative Music Technology

    This writeup reflects on my time practicing and teaching creative music technology (CMT) at the Anglia Ruskin University (ARU) in Cambridge between 2006 and 2019. I highlight my insights enriched with audio and video examples created by me or my students and conclude with a vision for a CMT course that addresses what I think was missing: a pathway teaching all production stages of electronic dance music (EDM). Find out more.
  • Trying to Find Order with a 42-hour Water Fast

    How a 42-hour water fast helped kickstart the sequence of posts on this website? It made me remember that I need to be honest. Find out more.